{"title":"All","description":"","products":[{"product_id":"manufacturing-meaning-peter-peryer-after-rembrandt","title":"Manufacturing Meaning | Peter Peryer: After Rembrandt | 1999","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished 1999 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e16 pages\u003cbr\u003e210 x 148mm, softcover, with black and white illustrations\u003cbr\u003eEdited by Christina Barton\u003cbr\u003eEssay by David Maskill\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDesign by Meanest Indian in the Land\u003cbr\u003ePrinted by Thames Publications Ltd\u003cbr\u003eISBN 0-9582112-4-8\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e'This catalogue is one of ten published on the occasion of the exhibition, \u003cem\u003eManufacturing Meaning: the Victoria University of Wellington Art Collection in context\u003c\/em\u003e. It documents and explains the contribution of guest curator, David Maskill to the project. Maskill brings together Peter Peryer's photograph, \u003cem\u003eAfter Rembrandt\u003c\/em\u003e 1995, with its source, \u003cem\u003eThe shell\u003c\/em\u003e, an etching by Rembrandt van Rijn, in order to explore the ramifications of the depiction of the natural world by artists working in different historical and geographical locations.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e—  Zara Stanhope and Christina Barton, Manufacturing Meaning | Peter Peryer: After Rembrandt\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45420311281895,"sku":"","price":5.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1749.jpg?v=1726363812"},{"product_id":"manufacturing-meaning-john-pule-mamakava","title":"Manufacturing Meaning | John Pule: Mamakava | 1999","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished 1999 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e16 pages\u003cbr\u003e210 x 148mm, softcover, with colour illustrations\u003cbr\u003eEdited by Christina Barton\u003cbr\u003eEssay by Lisa Taouma\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDesign by Meanest Indian in the Land\u003cbr\u003ePrinted by Thames Publications Ltd\u003cbr\u003eISBN 0-9582112-2-1\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e'This catalogue is one of ten published on the occasion of the exhibition, \u003cem\u003eManufacturing Meaning: the Victoria University of Wellington Art Collection in context\u003c\/em\u003e. It documents and explains the contribution of guest curator, Lisa Taouma to the project. Taouma presents a new video work made in collaboration with the artist, to complement and expand on John Pule's painting, \u003cem\u003eMamakava\u003c\/em\u003e 1991.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e—  Zara Stanhope and Christina Barton, \u003cem\u003eManufacturing Meaning | John Pule: Mamakava\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45420370297063,"sku":"","price":5.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1747.jpg?v=1726363184"},{"product_id":"manufacturing-meaning-richard-killeen-welcome-to-the-south-pacific","title":"Manufacturing Meaning | Richard Killeen: Welcome to the South Pacific | 1999","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished 1999 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 pages\u003cbr\u003e210 x 148mm, softcover, with colour illustrations\u003cbr\u003eEdited by Christina Barton\u003cbr\u003eEssay by Greg Burke \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDesign by Meanest Indian in the Land\u003cbr\u003ePrinted by Thames Publications Ltd\u003cbr\u003eISBN 0-9582112-5-6\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e'This catalogue is one of ten published on the occasion of the exhibition, \u003cem\u003eManufacturing Meaning: the Victoria University of Wellington Art Collection in context\u003c\/em\u003e. It documents and explains the contribution of guest curator, Greg Burke to the project. Burke installs Richard Killeen's \u003cem\u003eWelcome to the South Pacific \u003c\/em\u003e1979, with other works by contemporary New Zealand and international artists, in order to explore these artists' relation to and engagement with issues of location, history, memory and cultural identity.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e—  Zara Stanhope and Christina Barton, \u003cem\u003eManufacturing Meaning | Richard Killeen: Welcome to the South Pacific\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45420410732775,"sku":"","price":5.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/products\/Welcome-to-the-South-Pacific_resized.jpg?v=1669021550"},{"product_id":"manufacturing-meaning-jacqueline-fahey-the-birthday-party","title":"Manufacturing Meaning | Jacqueline Fahey: The Birthday Party | 1999","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished 1999 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 pages\u003cbr\u003e210 x 148mm, softcover, with colour illustrations\u003cbr\u003eEdited by Christina Barton\u003cbr\u003eEssay by Anna Miles\u003cbr\u003eDesign by Meanest Indian in the Land\u003cbr\u003ePrinted by Thames Publications Ltd\u003cbr\u003eISBN 0-9582112-0-5\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e'This catalogue is one of ten published on the occasion of the exhibition, \u003cem\u003eManufacturing Meaning: the Victoria University of Wellington Art Collection in context\u003c\/em\u003e. It documents and explains the contribution of guest curator, Anna Miles, to the project. Miles examines Jacqueline Fahey's, \u003cem\u003eThe birthday party\u003c\/em\u003e 1974, in light of the conventions of portraiture, situating the painting in a continuum of historical and contemporary works which explore the relationships of people to their possessions.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e—  Zara Stanhope and Christina Barton, \u003cem\u003eManufacturing Meaning | Jacqueline Fahey: The Birthday Party\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45420430131431,"sku":"","price":5.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1737.jpg?v=1726360283"},{"product_id":"manufacturing-meaning-michael-smither-christ-driving-the-money-changers-from-the-temple","title":"Manufacturing Meaning | Michael Smither: Christ Driving the Money Changers From the Temple | 1999","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished 1999 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e16 pages\u003cbr\u003e210 x 148mm, softcover, with colour illustrations\u003cbr\u003eEdited by Christina Barton\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eEssay by Stuart McKenzie\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDesign by Meanest Indian in the Land\u003cbr\u003ePrinted by Thames Publications Ltd\u003cbr\u003e\u003c\/span\u003eISBN 0-9582112-3-X\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e'This catalogue is one of ten published on the occasion of the exhibition, \u003c\/span\u003e\u003cem\u003eManufacturing Meaning: the Victoria University of Wellington Art Collection in context\u003c\/em\u003e\u003cspan\u003e. It documents and explains the contribution of guest curator, Stuart McKenzie, to the project. McKenzie examines Michael Smither's \u003cem\u003eChrist driving the money changers from the temple\u003c\/em\u003e 1972, in light of a range of recent works which also engage the nexus between art and money, the sacred and the profane; and offers insights into Christian attitudes towards economic gain.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e—  Zara Stanhope and Christina Barton, \u003cem\u003eManufacturing Meaning | Michael Smither: Christ Driving the Money Changers From the Temple\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45420465914087,"sku":"","price":5.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1745.jpg?v=1726362740"},{"product_id":"manufacturing-meaning-ralph-hotere-song-cycle-series","title":"Manufacturing Meaning | Ralph Hotere: Song Cycle Series | 1999","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished 1999 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington\u003cbr\u003e16 pages\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e210 x 148mm, softcover, with colour illustrations\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdited by Christina Barton\u003cbr\u003eEssay by Lawrence McDonald\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDesign by Meanest Indian in the Land\u003cbr\u003ePrinted by Thames Publications Ltd\u003cbr\u003eISBN 0-9582112-7-2\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e'This catalogue is one of ten published on the occasion of the exhibition, \u003cem\u003eManufacturing Meaning: the Victoria University of Wellington Art Collection in context\u003c\/em\u003e. It documents a multi-media installation including works from Ralph Hotere's \u003cem\u003eSong cycle\u003c\/em\u003e series, 1975, one of which is in the Victoria University Art Collection, seen in conjunction with a sound\/light piece by Jack Body, with assistance from David Crossan. And, in his essay, Lawrence McDonald explores the history of these works in relation to the performance event of the same title which was staged at Victoria University in 1975, which saw Ralph Hotere working with composer Jack Body ; pianist, Barry Morgan; poet, Bill Manhire and choreographer, John Casserly.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e—  Zara Stanhope and Christina Barton, \u003cem\u003eManufacturing Meaning | Ralph Hotere: Song Cycle Series\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45420532498663,"sku":"","price":5.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1743.jpg?v=1726362250"},{"product_id":"manufacturing-meaning-colin-mccahon-gate-iii","title":"Manufacturing Meaning | Colin McCahon: Gate III | 1999","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished 1999 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e16 pages\u003cbr\u003e210 x 148mm, softcover, with colour illustrations\u003cbr\u003eEdited by Christina Barton\u003cbr\u003eEssay by Ewen McDonald \u003cbr\u003eDesign by Meanest Indian in the Land\u003cbr\u003ePrinted by Thames Publications Ltd\u003cbr\u003eISBN 0-9582112-1-3\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e'This catalogue is one of ten published on the occasion of the exhibition, \u003cem\u003eManufacturing Meaning: the Victoria University of Wellington Art Collection in context\u003c\/em\u003e. It documents and explains the contribution of guest curator, Ewen McDonald, to the project. McDonald sets up a \"conversation\" between Samuel Beckett, Colin McCahon, Pieter Laurens Mol and Ania Walwicz, each of whom explore subjectivity in the process of its formation via performance, painting and writing.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e—  Zara Stanhope and Christina Barton, \u003cem\u003eManufacturing Meaning | Colin McCahon: Gate III\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45420587352295,"sku":"","price":5.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1734_affae9e8-d6ee-4ea4-9c72-7df5672b1453.jpg?v=1726359403"},{"product_id":"manufacturing-meaning-gordon-walters-kahkura","title":"Manufacturing Meaning | Gordon Walters: Kahkura | 1999","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished 1999 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eEssays by Ngarino Ellis and Damian Skinner\u003cbr\u003eDesign by Meanest Indian in the Land\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45420677497063,"sku":"","price":5.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/products\/Kahukura_resized.jpg?v=1669024539"},{"product_id":"manufacturing-meaning-john-weeks-figure-composition-i","title":"Manufacturing Meaning | John Weeks: Figure Composition I | 1999","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished 1999 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington\u003cbr\u003e16 pages\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e210 x 148mm, softcover, with colour illustrations\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdited by Christina Barton\u003cbr\u003eEssay by Linda Taylor \u003cbr\u003eDesign by Meanest Indian in the Land\u003cbr\u003ePrinted by Thames Publications Ltd\u003cbr\u003eISBN 0-9582112-6-4\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e'This catalogue is one of ten published on the occasion of the exhibition, \u003cem\u003eManufacturing Meaning: the Victoria University of Wellington Art Collection in context\u003c\/em\u003e. It documents and explains the contribution of guest curator, Linda Tyler, to the project. Tyler examines John Weeks',\u003cem\u003e Figure composition I \u003c\/em\u003e(1950s), as an instance of the influence of French modernist painting on the development of art in New Zealand in the 1950s.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e—  Zara Stanhope and Christina Barton, \u003cem\u003eManufacturing Meaning | John Weeks: Figure Composition I\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45420717867239,"sku":"","price":5.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1740.jpg?v=1726361610"},{"product_id":"manufacturing-meaning-frances-hodgkins-kimmeridge-foreshore","title":"Manufacturing Meaning | Frances Hodgkins: Kimmeridge Foreshore | 1999","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished 1999 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e18 pages\u003cbr\u003e210 x 148mm, softcover, with colour illustrations\u003cbr\u003eEdited by Christina Barton\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eEssay by Elizabeth Eastmond \u003cbr\u003eDesign by Meanest Indian in the Land\u003cbr\u003ePrinted by Thames Publications Ltd\u003cbr\u003eISBN 0-9582112-8-0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e'This catalogue is one of ten published on the occasion of the exhibition, \u003cem\u003eManufacturing Meaning: the Victoria University of Wellington Art Collection in context\u003c\/em\u003e. It documents and explains the contribution of guest curator, Elizabeth Eastmond, to the project. Eastmond examines the painting,\u003cem\u003e Kimmeridge foreshore\u003c\/em\u003e, circa 1938, in the context of a group of late works by Frances Hodgkins.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e—  Zara Stanhope and Christina Barton,\u003cem\u003e Manufacturing Meaning | Frances Hodgkins: Kimmeridge Foreshore\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45420797395175,"sku":"","price":5.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1732.jpg?v=1726358495"},{"product_id":"language-matters","title":"Language Matters | 2000","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished 2000 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e20 pages\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e150 x 104mm, softcover, with black and white illustrations\u003cbr\u003eEdited by Christina Barton\u003cbr\u003eWith essays by Christina Barton.\u003cbr\u003eDesign by Meanest Indian in the Land\u003cbr\u003ePrinted by Thames Publications Ltd\u003cbr\u003eISBN 0-9582167-0-3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis catalogue was published in association with the exhibition \u003cem\u003eLanguage Matters\u003c\/em\u003e, February-March 2000.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003elanguage \u003c\/strong\u003e\u003cem\u003en.\u003c\/em\u003e \u003cstrong\u003e1 \u003c\/strong\u003ethe method of human communication, either spoken or written, consisting of the use of words in an agreed way. \u003cstrong\u003e2 \u003c\/strong\u003ethe language of a particular community or country, etc. \u003cstrong\u003e3 a \u003c\/strong\u003ethe faculty of speech. \u003cstrong\u003eb \u003c\/strong\u003ea style or the faculty of expression; the use of words etc.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ematter\u003c\/strong\u003e \u003cem\u003en.\u003c\/em\u003e \u003cstrong\u003e1 a\u003c\/strong\u003e a physical substance in general, as distinct from mind and spirit. \u003cstrong\u003eb \u003c\/strong\u003ethat which has mass and occupies space. \u003cstrong\u003e2 \u003c\/strong\u003ea particular substance. \u003cstrong\u003e3 \u003c\/strong\u003ethe thing that is amiss. \u003cstrong\u003e4 \u003c\/strong\u003ematerial for thought or expression. \u003cstrong\u003e5 a \u003c\/strong\u003ethe substance of a book, speech, etc., as distinct from its manner or form...\u003cstrong\u003e7 \u003c\/strong\u003ean affair or situation being considered esp. in a specified way. \u003cstrong\u003e8 \u003c\/strong\u003e\u003cem\u003ePhysiol.\u003c\/em\u003e \u003cstrong\u003ea \u003c\/strong\u003eany substance in or discharged from the body.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45420931416295,"sku":"","price":5.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/products\/Language-Matters_resized.jpg?v=1669026163"},{"product_id":"joseph-kosuth-guests-and-foreigners-rules-and-meanings-te-kore","title":"Joseph Kosuth: Guests and Foreigners, Rules and Meanings (Te Kore) | 2004","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished 2004 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e96 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e244mm x 146mm, hardcover, with colour illustrations\u003cbr\u003eEdited by Christina Barton\u003cbr\u003eWith essays by Christina Barton, Joseph Kosuth and Charles Green\u003cbr\u003eDesigned by Joseph Kosuth\u003cbr\u003ePrinted by Printlink\u003cbr\u003eISBN 2-877309-00-1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis catalogue was published in association with the exhibition \u003c\/span\u003e\u003cem\u003eGuests and Foreigners, Rules and Meaning (Te Kore)\u003c\/em\u003e, March-April 2000.\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e'\u003cem\u003eGuests and Foreigners, Rules and Meanings (Te Kore)\u003c\/em\u003e serves and a worthy rejoinder to Kosuth's first showing in New Zealand, a remarkable exposure of how culture functions as art's 'second frame', and a vindication of his aims. As one of a set of temporary 'works in situ' this installation is that about which it speaks. It is an embodiment of a global condition and an actual place, of the traffic of signs and the permeability of ideas, of one artist's transient encounters with diverse peoples, histories, cultures, and beliefs. 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Additional essays by ecologist and historian Geoff Park, and architectural theorist Sarah Treadwell, consider Rhodes in light of their respective disciplines.\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45485490077927,"sku":"","price":40.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1639.jpg?v=1725767833"},{"product_id":"sumwhr-k-rd-to-kingdom-come","title":"Sumwhr: K Rd to Kingdom Come | 2002","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished 2002 by Govett-Brewster Art Gallery and Artspace\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e64 pages\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e255 x 217mm, softcover with colour illustrations\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdited by Gregory Burke\u003cbr\u003e\u003c\/span\u003eWith essays by Gregory Burke, Markman Ellis, and Francis Pound.\u003cbr\u003eDesign by Luke Wood, Eyework Design\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrinted by Format\u003cbr\u003eISBN 0-908848-44-7\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished in association with the exhibitions \u003cem\u003eHarry Human Heights\u003c\/em\u003e, Artspace, and \u003cem\u003eK Road to Kingdom Come, John Reynolds, Painting Projects, 1995-2001\u003c\/em\u003e, Govett-Brewster Art Gallery. 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Focusing on the pe'a and the malu, or traditionally, the male and female tattoos, associated respectively with the legendary 'flying fox', and with ideas of shelter and protection, Adams and Taouma examine these two tatau traditions from two distinct socio-cultural and gender perspectives.'\u003cbr\u003e\u003cspan\u003e— Introduction \u0026amp; Acknowledments by Sophie McIntyre\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45485642514663,"sku":"","price":18.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1663.jpg?v=1725770159"},{"product_id":"before-addled-art-the-graphic-art-of-lionel-lindsay","title":"Before Addled Art: The Graphic Art of Lionel Lindsay | 2003","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished 2003 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e32 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e297mm x 210mm, softcover, black and white\u003cbr\u003e\u003c\/span\u003eWith essays by David Maskill, Miri Hirschfield, Lizzie Bisley, Danae Mossman, Margriet Willemsen-Thomas, Tamarisk Sutherland, Elizabeth Kay, Julianne Malpas, Louise Roberts, Gabrielle Wilson.\u003cbr\u003eDesign by Chrometoaster Ltd.\u003cbr\u003ePrinted by Printlink\u003cbr\u003e\u003cspan\u003eISBN 1-877309-01-X\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis catalogue was published in association with the exhibition \u003c\/span\u003e\u003cem\u003eBefore Addled Art: The Graphic Art of Lionel Lindsay Latemouth\u003c\/em\u003e, 2003. C\u003cspan\u003eurated by David Maskill and Art History Honours students.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eBefore Addled Art: The Graphic Art of Lionel Lindsay\u003c\/em\u003e was the third of a continuing series of exhibition projects organized by Art History Honours students at Victoria University of Wellington in collaboration with the Adam Art Gallery. The exhibition focused on a collection of prints by Australian artist, Lionel Lindsay (1874- 1961). As an artist, writer and critic, Lindsay is well known in Australia, however he has not received the same degree of attention in New Zealand. This is surprising, given that one of the most important collections of his work is in the Museum of New Zealand Te Papa Tongarewa. This collection was given to the former National Art Gallery by the widow of Harold Wright, the artist's London publisher and friend. Lindsay gave most of these works to Wright, who was planning to publish a catalogue of the artist's work, and along with other annotations written by the artist and collector, are personal messages written by Lindsay to his friend. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eConsidering the extensive holdings of Lindsay's works at Te Papa, it was possible to select works that showcase the very best of Lindsay's graphic art. The fifty-nine works in the exhibition represented Lindsay's entire fine art print oeuvre: from his early Australian etchings of swaggies, to the large Spanish drypoints and his spectacular wood engravings of birds. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45485643858151,"sku":"","price":18.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1666.jpg?v=1725770563"},{"product_id":"gordon-h-brown-lecture-1-elements-of-modernism-in-colin-mccahon-s-early-work","title":"Gordon H. Brown Lecture 1: Gordon H. Brown 'Elements of Modernism in Colin McCahon’s Early Work' | 2003","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished 2003 by Tāhuhu K\u003cspan lang=\"mi-NZ\"\u003eō\u003c\/span\u003erero Toi Art History, Te Herenga Waka—Victoria University of Wellington.\u003cbr\u003e45 pages\u003cbr\u003e190 x 150mm, softcover, with black and white illustrations\u003cbr\u003eEdited by Christina Barton\u003cbr\u003eISSN 0-475-12203-8\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eElements of Modernism in Colin McCohn’s Early Work, by the eminent art historian Gordon H. Brown, explores the art of Colin McCahon prior to 1947, to explain the exact nature of his engagement with modernist principles and practices. Through the careful analysis of selected works and drawing on his extensive knowledge of McCahon’s life and letters, Brown offers rare insights into the artist’s sources, working processes and attitudes. This book is a vital addition to the critical appraisal of Colin McCahon, New Zealand’s most important twentieth-century artist.\u003c\/p\u003e\n\u003cp\u003eThe Gordon H. Brown Lecture Series is named in honour of the achievements of the distinguished New Zealand art historian. In December 2002, on being awarded an Honorary Doctorate by Victoria University of Wellington for his contributions to art history, Gordon H. Brown himself delivered the first lecture in the then-unnamed series. Brown's lecture was subsequently published as the first in the \u003cmeta charset=\"utf-8\"\u003eGordon H. Brown Lecture Series publications.\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45485694812391,"sku":"","price":15.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1730.jpg?v=1726358004"},{"product_id":"concrete-horizons-contemporary-art-from-china","title":"Concrete Horizons: Contemporary Art from China | 2004","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished 2004 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e32 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e230mm x 230mm, softcover with colour illustrations\u003cbr\u003eWith essays by Sophie McIntyre and Zhang Zhao Hui\u003cbr\u003eEdited by Sophie McIntyre. Duncan Campbell, Emily Cormack and Danae Mossman\u003cbr\u003eDesign by Chrometoaster\u003cbr\u003ePrinted by Printlink\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eISBN 0-9751404-1-8\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis catalogue was published in association with the exhibition \u003c\/span\u003e\u003cem\u003eConcrete Horizons: Contemporary Art from China\u003c\/em\u003e, 2004. Curated by Sophie McIntyre.\u003c\/p\u003e\n\u003cp class=\"exhibition-details_dates__OeGVS\" style=\"padding-left: 40px;\"\u003e'As society's visual observers, artists in China are searching for new ways in which to critically interact and engage with continually shifting and often conflicting urban realities. In this 'capitalist' consumer society, the 'self' rather than 'the state' has become the central focus of attention. As the 'public' is being displaced by the 'private', political and ideological anxieties have been overtaken by a preoccupation with status, wealth, and taste. Faced with mounting economic, social and environmental pressures, contemporary artists are turning away from the post-Cultural Revolutionary 'Political Pop' (zhengzhi popu) genre, to focus on more immediate issues arising from China's radical urban transformation.'\u003c\/p\u003e\n\u003cp class=\"ExhibitionDates_dates__acQWt\" style=\"padding-left: 40px;\"\u003e— Sophie McIntyre\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45485794951399,"sku":"","price":15.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1670.jpg?v=1726110601"},{"product_id":"two-laws-one-big-spirit","title":"Two Laws: One Big Spirit | 2004","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished 2004 by GRANTPIRRIE\u003cbr\u003e54 pages\u003cbr\u003e210 x 210mm, softcover, with colour illustrations\u003cbr\u003eEdited by Stephen Grant and Bridget Pirrie\u003cbr\u003eWith contributions by Stephen Grant, Frances Kofod, and Mary Lee Alice.\u003cbr\u003eDesign by Joy Vaughan\u003cbr\u003eISBN 0-9751404-1-8\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTwo Laws\u003c\/em\u003e is a rocky conglomerate of New Zealand born, Peter Adsett's 10 years in the Northern Territory and Rusty Peters, a Gija man, who points at the ground when you ask him where he was born - Kimberley, West Australia. 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In doing so, \u003cem\u003eGordon Walters: Prints + Design\u003c\/em\u003e expands what is included within that corpus, by giving overdue attention to the works Walters designed for various publications. My contention is that rather than being separate from Walters' artistic production, his work as a designer played a significant role in the development of his method and style, and that it allowed him to experiment with different modes of working and present that work to a broad public. \u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eGordon Walters: Prints + Design \u003c\/em\u003ethus amplifies and extends Dunn's comment that printmaking was indeed an important aspect of Walter's artistic production, perhaps more so than it has hitherto been presented.'\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e— Introduction by William McAloon\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45486363148519,"sku":"","price":25.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1684.jpg?v=1726112990"},{"product_id":"the-expatriates-frances-hodgkins-and-barrie-batt","title":"The Expatriates: Frances Hodgkins and Barrie Bates | 2005","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished 2005 by the Victoria University of Wellington Art History Department\u003cbr\u003e58 pages, bound tête-bêche\u003cbr\u003e211 x 149mm, softcover, with colour illustrations\u003cbr\u003eAuthored by Christina Barton\u003cbr\u003eDesigned by Robert A. B. Thomson\u003cbr\u003ePrinted by Republik Communications Limited\u003cbr\u003eISBN 1-877309-04-4\u003c\/p\u003e\n\u003cp\u003eThis exhibition catalogue was published in association with The Expatriates, held at \u003cspan\u003eTe Pātaka Toi Adam Art Gallery October 2004 - February 2005. 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The book is a vital new contribution to scholarship on the artist that sets out to both answer questions and to pose fresh ones.\u003c\/p\u003e\n\u003cp\u003eTony Green was the founding Professor of Art History at the University of Auckland (1969-1998). He is an art historian, writer, curator and critic, who has published widely on the history of modern art in New Zealand. 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Curated by Sophie McIntyre.\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e'What makes this vast, frozen wilderness so alluring? How has it become so embedded in the popular imagination? \u003cem\u003eBreaking Ice: Re-Visioning Antarctica\u003c\/em\u003e sets out to explore these questions. It deconstructs and playfully critiques the processes of visual representation, focusing on the ways this southern continent has been exoticised and mythologised.\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003eAs \u003cem\u003eBreaking Ice: Re-Visioning Antarctica\u003c\/em\u003e reveals, artists today look through a different lens and tell their own stories of Antarctica - a land that has, over this time, become popular subject for visual re-presentation, as a myriad of illustrated travelogues, films, blockbuster exhibitions and interactive museum displays demonstrate. These contemporary artists employ a wide range of materials -\u003cspan\u003e \u003c\/span\u003efrom digital technology, to painting and textile-based art - to critically engage in a multitude of issues -\u003cspan\u003e \u003c\/span\u003eAntarctica's history of heroism, its environmental degradation, and the artists' struggle to visually define \"place\" in this white, shifting space.'\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e— Sophie McIntyre, \u003cem\u003eBreaking Ice: Re-Visioning Antarctica\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45486556741863,"sku":"","price":18.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1778.jpg?v=1726369891"},{"product_id":"artiface-artists-portraits-in-prints","title":"Artiface: Artists’ Portraits in Prints | 2005","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished 2005 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e28 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e298mm x 212mm, softcover, with black and white illustrations\u003cbr\u003e\u003c\/span\u003eWith essays by Kirsten Hickey, Mathew Norman, Vivienne Morrell, David Maskill, Lindsay Archibald, Thomasin Sleigh, Katie Duke and Michael Havell.\u003cbr\u003eDesign by Base Two\u003cbr\u003ePrinted by Graphic Press\u003cbr\u003e\u003cspan\u003eISBN 1-877309-08-7\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis exhibition catalogue was published in association with \u003cem\u003eArtiface: Artists' Portraits in Prints\u003c\/em\u003e, October 2005 - February 2006. Curated by David Maskill and his Honours students.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eArtiface: Artists' Portraits in Prints\u003c\/em\u003e was the fourth in a continuing series of exhibitions organised by Art History Honours students at Victoria University of Wellington in collaboration with the Adam Art Gallery. This year's project focuses on portraiture and explores representations of artistic identity in portraits of artists and their subjects in the medium of European printmaking from the Renaissance to the twentieth century. \u003cbr\u003ePortraiture is one of the 'hot topics' in contemporary art practice, especially photography. Artists are questioning notions of identity and representation in a medium that has an inherent potential for manipulation and distortion. 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His purpose here is to ask probing questions about the place of New Zealand’s rich heritage of official and unofficial portraits. As a result, Blackley has made a timely and relevant contribution to the historical task of examining art’s vital role in shaping the nation.\u003c\/p\u003e\n\u003cp\u003eRoger Blackley is a leading historian of colonial art. He is the author of Goldie, published in 1997 on the occasion of Auckland Art Gallery’s major exhibition of Charles F. Goldie’s paintings. 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It includes essays on the exhibited works, written by \u003c\/span\u003e\u003cspan\u003ePeter Adds, Christina Barton, Prof. Peter Barrett, Dr Maria Bargh, Jack Body, William Brandt, Duncan Campbell, Michael Havell, Prof. Richard Hill, Amy Howden-Chapman, Jenny Harper, Dr Jan Jordan, Nick Kelly, Dr Alison Laurie, Brigid Livesay, Frances Loeffler, Dr Conal McCarthy, Sophie McIntyre, Dougal McNeill, Dr Ocean Mercier, Dr Geoff Miles, Dr Jenny Neale, Jan Pryor, Dr Alice Te Punga Somerville, Rebecca Rice, Damian Skinner, Thomasin Sleigh, Dr Raymond Spiteri, Jane Stafford, Mark Taylor, Dr Teresa Teaiwa, Dr Sean Weaver, Graeme Whimp and Dr Peter Wood. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSophie McIntyre notes the the VUW Art Collection is \"a wide ranging and important collection of New Zealand art,\" with historical and cultural significance.\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45486814298343,"sku":"","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/products\/FromTheVUWArtCollection.jpg?v=1669516394"},{"product_id":"gordon-h-brown-lecture-4-annie-goldson-memory-landscape-dad-me","title":"Gordon H. 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Cotton considers how painting can function as a literal drawing out of history; his works are a kind of physical unearthing, where what is revealed in and through paint are the shards and fragments that have survived from the complex history of encounters between peoples. Dashper is preoccupied with modern art history, his painting practice functions as both homage and critique; allowing anecdote to inflect his sober surfaces, he seeks to situate mute abstraction by investing in it traces of his own history and location. Ingram makes time visible, literally, as paintings are brought into being, not by his hand but by a disembodied machine or by the arbitrary workings of artificial intelligence. 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They represent not so much an impossible view as a mind's-eye vision; they are scenes that open inwards, to a human interior life. Here, logic and order are suspended. Brooms and other domestic objects collect in the roots and branches of trees, as if in the aftermath of some fantastical storm. A neatly stacked fire bursts into flower on a bedroom floor. Monkeys and squirrels clamber around a domestic interior... These are cultural fragments selected from various times and places. They constitute a mélange of styles, a fanciful jumble of variety and ornament that is reminiscent of postmodern architecture's rediscovery of history. Indeed McLeod's drawings seem to link the architectural fantasies of Europe's earliest modernists with more recent postmodern whimsical replaying of past styles. Like Piranesi, McLeod is dealing with what is already past, a historical moment that has now become something to be picked over and imaginatively reconstructed.' \u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e— Interior Deliria by Frances Loeffler\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45511647658215,"sku":"","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1820.jpg?v=1726962060"},{"product_id":"gordon-h-brown-lecture-5-leonard-bell-in-transit-questions-of-home-belonging-in-new-zealand-art","title":"Gordon H. Brown Lecture 5: Leonard Bell, 'In Transit: Questions of Home \u0026 Belonging in New Zealand Art' | 2007","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished 2007 by Tāhuhu K\u003cspan lang=\"mi-NZ\"\u003eō\u003c\/span\u003erero Toi Art History, Te Herenga Waka—Victoria University of Wellington.\u003cbr\u003e48 pages\u003cbr\u003e190mm x 150mm, softcover, with black and white illustrations\u003cbr\u003eEdited by Christina Barton \u0026amp; Roger Blackley\u003cbr\u003eISSN 977-1176-58800-5\u003c\/p\u003e\n\u003cp\u003eWhat does it mean when an artist has exchanged one home for another? This question is central to In Transit: Questions of Home and Belonging in New Zealand Art, in which Leonard Bell explores the work of two artists, expatriate painter Douglas MacDiarmid, who left New Zealand for France, and photographer Marti Frielander, an immigrant to New Zealand. Bells’ nuanced readings place these artists within a wider frame, one where displacement can be recognised as a prime driver of creativity. Bell argues, furthermore, that this type of work is ambiguous by nature and apt to be ignored or misinterpreted by the nationalist lens through which New Zealand’s canon of art has been filtered.\u003c\/p\u003e\n\u003cp\u003eLeonard Bell is an acclaimed specialist in the field of cross-cultural interactions and representations in New Zealand. He has investigated nineteenth-century colonial traditions as well as the work of twentieth-century European refugees. Currently Associate Professor of Art History at the University of Auckland, Bell is fascinated by the ways in which considerations of displacement and migration can shed fresh insights into the trajectories of New Zealand art history.\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45511667122407,"sku":"","price":15.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1718.jpg?v=1726356009"},{"product_id":"sam-morrison-whiff-whaff","title":"Sam Morrison: Whiff Whaff | 2008","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished 2008 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington\u003cbr\u003e\u003c\/span\u003e21 pages\u003cbr\u003e\u003cspan\u003e230 x 165mm, softcover, with colour illustrations\u003cbr\u003e\u003c\/span\u003eEdited by Christina Barton\u003cbr\u003eWith an essay by Frances Loeffler.\u003cbr\u003eDesign by Experimenta\u003cbr\u003ePrinted by Printlink\u003cbr\u003e\u003cspan\u003eISBN 1-877309-16-8\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e'As \u003cem\u003eWhiff Whaff\u003c\/em\u003e attests, there are times when Sam Morrision's work knowingly references the past history of sound culture. While this commentary may be playful and light-hearted, it also shows a critical alertness to its various developments and concerns, questioning, for example, the interconnectedness that bind a history of sound in the arts to a history of communication technologies. Grounded in the contingent and situated, and aware of the trajectory offered by post-object art practices, his work investigates sound as a mean to uncover and activate relationship between things (connections, familiarities; between object and audience, audience and site, object and location) asking us to take a step towards the world around us, gauging it not merely with fleeting glances but directly, bodily, with an exchange of presences. Morrison's ambition is to know things intimately, at a listener's pace; \u003cem\u003eritardando\u003c\/em\u003e.'\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e— Frances Loeffler\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45511775256807,"sku":"","price":15.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1674.jpg?v=1728167642"},{"product_id":"hydraulics-of-solids-joao-maria-gusmao-and-pedro-paiva","title":"Hydraulics of Solids: João Maria Gusmão and Pedro Paiva | 2008","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished 2008 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington.\u003cbr\u003e40 pages\u003cbr\u003e230 x 165mm, softcover, with colour illustrations\u003cbr\u003eEdited by Christina Barton\u003cbr\u003eWith essays by Christina Barton, João Maria Gusmão and Pedro Paiva.\u003cbr\u003eDesigned by Experimenta\u003cbr\u003ePrinted by Printlink\u003cbr\u003eISBN 1-877309-15-X\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e'\u003cem\u003eHydraulics of Solids\u003c\/em\u003e brings together 14 films by Portuguese artists João Maria Gusmão and Pedro Paiva in a new installation especially designed for the Adam Art Gallery. Sometimes no more than a few seconds in duration, and never more than five minutes long, these films are made with now-rare 16mm colour film stock with no accompanying soundtrack. . .\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003eGusmão and Paiva are not artists seeking to keep up with the game of contemporary art; their ambition is not for currency in careerist terms, instead they are exploring ideas, using celluloid as their tool. Film in their hands both serves to posit an idea and to test its truth-value. Here art's reflexivity is turned to more abstract purposes, and in doing so regains its critical power as a mode of thought. It is in this last proposition that the timeliness of their project is revealed. For as we move past postmodernism's terminal doubt we are brought to a place where images can again be treated as vehicles of truth, or at least such truth as is revealed in the fabrications of words and pictures.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e— Introduction by Christina Barton\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45512293056743,"sku":"","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1677.jpg?v=1726112065"},{"product_id":"te-mata-the-ethnological-portrait","title":"Te Mata: The Ethnological Portrait | 2010","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished 2010 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington\u003cbr\u003e40 pages\u003cbr\u003e240 x 170mm, softcover, with black and white illustrations\u003cbr\u003eAuthored by Roger Blackley\u003cbr\u003eEdited by Christina Barton\u003cbr\u003eDesigned by Alice Baxter\u003cbr\u003ePrinted by Griffin Press\u003cbr\u003eISBN 9780864736239\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTe Mata: The Ethnological Portrait\u003c\/em\u003e is an important new addition to the analysis of portraiture in a New Zealand context, authored by leading colonial art historian Roger Blackley. Based on an exhibition at the Adam Art Gallery, Victoria University of Wellington in 2008, this publication offers a fascinating reading of a unique but little-known series of Māori portrait busts, now languishing in a storeroom at Te Papa, that were created in 1908 by the itinerant Anglo-Australian sculptor Nelson Illingworth. In an essay based on intensive new research, Blackley considers the history and function of these turn-of-the-century depictions within an ethnological and art historical frame.\u003c\/p\u003e\n\u003cp\u003eCommissioned by Dominion Museum director Augustus Hamilton, who intended them for the portrait gallery of an unrealised National Māori Museum, Illingworth’s busts were to immortalise fast-disappearing Māori ‘types’. Blackley places these fascinating sculptures within a history of Māori depictions, exploring some of the tensions inherent in the ethnological portrait tradition. He considers the question of how artistic style and genre conventions vied with the scientific requirements of objective description, foregrounding the tension between the realism and authority of individual depiction and the ethnological quest for a Māori racial ‘type’, an ideal that any single individual could only imperfectly inhabit. Blackley reveals how ideals drawn from classical art and the popular pseudo-science of phrenology bled into what was supposed to be a scientific undertaking, resulting in objects that were closer to works of art than specimens of ethnology. Having transcended their original museological purposes, the busts can now be recognised as significant ancestral portraits – the status they always enjoyed in the Māori world.\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cem\u003eTe Mata: The Ethnological Portrait\u003c\/em\u003e catalogues the 2008 Adam Art Gallery exhibition (which was staged on the centenary of Illingworth’s production) and serves as a provocative essay intended to reclaim one of the most fascinating rooms in our national portrait gallery.\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45512294432999,"sku":"","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1698.jpg?v=1726114545"},{"product_id":"vivian-lynn-i-here-now","title":"Vivian Lynn: I, HERE, NOW | 2010","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished 2010 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e128 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e210 x 226mm, softcover, with colour illustrations\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdited by Christina Barton\u003cbr\u003e\u003c\/span\u003eWith contributions by Christina Barton, Anna Smith, Ian Wedde, Brian Easton, Pamela Gerrish, Priscilla Pitts, Charlotte Huddleston, Anne Kirker, Sarah Treadwell, Guyon Neutze, and Laura Preston.\u003cbr\u003eDesigned by Sarah Maxey\u003cbr\u003ePrinted by Printlink\u003cbr\u003e\u003cspan\u003eISBN 1-877309-17-6\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e'This publication documents and extends the exhibition I, HERE, NOW Vivian Lynn presented at the Adam Art Gallery \u003cspan\u003eTe Pātaka Toi, Victoria University of Wellington, between 25 October 2008 and 15 March 2009. Both the exhibition and the book set out to selectively survey the work of Vivian Lynn, an artist who has been working for nearly sixty years across a range of media: drawing, painting, printmaking, collage, book making, sculpture, installation and photography. Together they provide a substantial account of Lynn's work, the exhibition being the largest retrospective since 1982 (when she staged a modest mid-career survey at City Art Gallery, Wellington) and this catalogue being the only monograph yet dedicated to the artist. . .\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003eThis Publication documents the exhibition, providing a list of works, colour plates of key images and a number of installation views to serve as a record of that event. It sets out to extend the show by adding commentary on key works that could not be included and provide a range of insights into Lynn's work from writers, art historians, curators, and colleagues who know her work well and thus can enlarge on the curatorial approach taken by the gallery. In addition, the book presents a chronology of the artist's life and work that can be read in depth or dipped into as a reliable resource, with an exhibition history and a bibliography that canvasses key literature.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e— Foreword by Christina Barton\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45512338047207,"sku":"","price":50.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1836.jpg?v=1726963483"},{"product_id":"gordon-h-brown-lecture-6-sarah-treadwell-rangiatea-revisited","title":"Gordon H. Brown Lecture 6: Sarah Treadwell, 'Rangiatea Revisited' | 2008","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished 2008 by Tāhuhu K\u003cspan lang=\"mi-NZ\"\u003eō\u003c\/span\u003erero Toi Art History, Te Herenga Waka—Victoria University of Wellington.\u003cbr\u003e48 pages\u003cbr\u003e190 x 150mm, softcover, black and white\u003cbr\u003eEdited by Christina Barton\u003cbr\u003eISSN 1176-5887\u003c\/p\u003e\n\u003cp\u003eRevisiting Rangiatea is a fascinating reconsideration by leading architectural historian and theorist Sarah Treadwell of the historic Maori church built at Otaki between 1848 and 1851 by local iwi, Ngati Toa, Ngati Raukawa, Te Ati Awa. Through a careful re-reading of the evolving history of the structure (including its reconstruction after it was destroyed by fire in 1995) and its various visual and textual representations, Treadwell explores how the building has gained its meaning within a history of colonial and postcolonial cultural production.\u003c\/p\u003e\n\u003cp\u003eHer argument models a new way of thinking about architectural heritage, in which the physical preservation of an actual building matters no more than its survival and reinvention across the entire field of representation, to convey a refreshing new vision of architecture as multiple, sequential and renewable. For Treadwell, Rangiatea exists in built form, but also in prints, drawings, photographs, and written accounts, as a space where the principles of western architecture are both invoked and undone. In this her text serves as an exemplary postcolonial re-reading that aptly fits the format of the annual Gordon H. Brown Lecture.\u003c\/p\u003e\n\u003cp\u003eSarah Treadwell is Senior Lecturer in Architecture at the University of Auckland’s School of Architecture and Planning, whose work entails the examination of visual representations as the basis for her study of colonial architecture in New Zealand and the Pacific.\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45518775320807,"sku":"","price":15.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1716.jpg?v=1726355614"},{"product_id":"gavin-hipkins-bible-studies-new-testament","title":"Gavin Hipkins: Bible Studies (New Testament) | 2009","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished 2009 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e31 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e230mm x 165mm, paperback, colour illustrations\u003cbr\u003eDesign by The International Office\u003cbr\u003ePrinted by Freestyle \u0026amp; Colour-Craft\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eISBN 1-877309-20-6\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis catalogue was published in association with the exhibition \u003c\/span\u003e\u003cem\u003eSource Material: Five Conversations with the Past\u003c\/em\u003e, October 2009 - February 2010. It includes a preface by Christina Barton, \u003cspan\u003ean essay by Rex Butler, and an\u003c\/span\u003e interview with Gavin Hipkins by Allan Smith.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45520191520999,"sku":"","price":15.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1653.jpg?v=1725769140"},{"product_id":"gba-print-publishing-in-the-gazette-des-beaux-arts","title":"GBA: Print Publishing in the Gazette des Beaux Arts | 2009","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished 2009 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e39 pages\u003cbr\u003e298 x 210mm, softcover, black and white illustrations\u003cbr\u003e\u003c\/span\u003eWith essays by Peter Bisley, Jeanne Mueller, Ariana Beswick, Ioana Gordon-Smith, Jan Watchman, Chantelle Naraine, Vera Mey, and Belinda Ricketts.\u003cbr\u003eDesigned by Aaron Beehre and Alice Baxter\u003cbr\u003ePrinted by Griffin Press\u003cbr\u003e\u003cspan\u003eISBN 1-877309-18-4\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ExhibitionTitle_title__mb5KU\"\u003e\u003cspan\u003eThis catalogue was published in association with the exhibition \u003c\/span\u003e\u003cem\u003eSource Material: Five Conversations with the Past\u003c\/em\u003e, October 2009 - February 2010.\u003c\/p\u003e\n\u003cp class=\"ExhibitionTitle_title__mb5KU\" style=\"padding-left: 40px;\"\u003e'This exhibition has been possible due to the recent purchase of a complete set of the \u003cem\u003eGazette des Beaux-Arts \u003c\/em\u003efrom 1859-1939 by the Victoria University of Wellington Library. Often, the finest prints have been removed from the volumes, but our set is intact. It thus provided the perfect subject for an exhibition project that examines not only the prints themselves as independent works of art, but also the specific context in which they were originally published. It has been a privilege to work with my Honours students on this project. Each of them has tackled a specific theme: the techniques employed in the journal, the roles of the journal as an art historical tool in the revival and re-evaluation of artists of the past, the publication of original contemporary prints and the journal's equivocal attitude towards the newest graphic technology\u003cspan\u003e—photography. All of these themes are addressed in the exhibition and in the essays in this catalogue.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ExhibitionTitle_title__mb5KU\" style=\"padding-left: 40px;\"\u003e\u003cspan\u003e— Introduction by David Maskill\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Pātaka Toi Adam Art Gallery","offers":[{"title":"Default Title","offer_id":45520213311719,"sku":"","price":15.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/4017\/5847\/files\/41190_CBM1687.jpg?v=1726113318"}],"url":"https:\/\/adam-art-gallery-te-pataka-toi.myshopify.com\/collections\/all.oembed?page=9","provider":"Te Pātaka Toi Adam Art Gallery ","version":"1.0","type":"link"}